Network stack / Production
Production

Remote production

Put the control room in the cloud. A producer runs the whole show from a browser, anywhere, while your creator and camera stay on location with a lighter crew and no truck.

Switching

Switch cameras from anywhere

A web-based switcher cuts between your pack, a second camera, phones, and remote guests. Frame-accurate previews let the producer cut on the beat, even though the producer may be on the other side of the country.

Instead of loading a van and a crew, the show travels as a signal.

  • Pack, phones, and remote feeds as sources
  • Cuts and transitions from any browser
  • No truck, no switcher hardware on site
Graphics and audio

Titles, overlays, and a real audio mix

Lower thirds, logos, sponsor overlays, and full-screen graphics are added in the cloud, so the creator never has to manage them on location. A proper audio mixer handles levels, panning, and muting for every source.

The result looks and sounds like a produced show, not a phone stream.

  • Custom graphics and overlays
  • Per-source audio levels and mute
  • Branded looks for sponsors and brands
Replay and guests

Replays, guests, and commentary

Capture moments and replay them in the show without a separate system. Guests and commentators join from a link, appear in the program, and hear the show in sync.

Remote commentators and guests turn a solo IRL stream into a two or three person show.

  • Instant replays inside the show
  • Guests join from a link
  • Remote commentators in sync with the program
Outputs

One production, every format

The finished program goes out to every destination at once, including a vertical version for short-form platforms alongside the standard widescreen one.

That means one live event produces content for every channel without a second crew.

  • Landscape and portrait together
  • Streams to social platforms and custom destinations
  • Cuts crew size and travel cost

Put the control room in the cloud